“Beyond Brut: The Art of Cornel Wilde.” Cinema Scope, no.
“Cornel Wilde: Actor Defends Film Violence.” Valley Times, June 3, 1955. “The Motion Picture Production Code.” n.d.
#CORNEL WILDE HOSPITAL CODE#
Beach Red Case History, Production Code Administration case file, Margaret Herrick Library, Academy of Motion Picture Arts and Sciences, Los Angeles, CA. Cornel Wilde, Theodora Productions,” August 18, 1966. The Naked Prey Case History, Production Code Administration case file, Margaret Herrick Library, Academy of Motion Picture Arts and Sciences, Los Angeles, CA. Edward Schellhorn, Paramount Pictures Corporation,” July 30, 1964. Edward Schellhorn, Paramount Pictures Corporation,” July 28, 1964. Lancelot & Guinevere Case History, Production Code Administration case file, Margaret Herrick Library, Academy of Motion Picture Arts and Sciences, Los Angeles, CA. Kathryn McTaggart, Universal-International Pictures,” August 8, 1961. “Report on Lancelot and Guinevere for the Australian Territory.” Lancelot & Guinevere Case History, Production Code Administration case file, Margaret Herrick Library, Academy of Motion Picture Arts and Sciences, Los Angeles, CA.
“Report on Lancelot and Guinevere for the British Territory.” Lancelot & Guinevere Case History, Production Code Administration case file, Margaret Herrick Library, Academy of Motion Picture Arts and Sciences, Los Angeles, CA. New Brunswick, NJ: Rutgers University Press. Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 1930–1968. “Six Years in the Works, Cornel Wilde’s ‘Treasure’ Finds a UA Release Niche.” Daily Variety, October, 34. “Getting Back to Basics with Cornel Wilde.” Take One, October, 22–24. “Memo to the File Re: Beach Red.” Beach Red Case History, Production Code Administration case file, Margaret Herrick Library, Academy of Motion Picture Arts and Sciences, Los Angeles, CA. “Wilde’s Charter,” February 17, 1954.ĭougherty, Eugene G. “Producer/Director: CORNEL WILDE.” Film Comment 6 (1): 52–61.ĭaily Variety. “Cornel Wilde.” In You Ain’t Heard Nothin’ Yet: Interviews with Stars from Hollywood’s Golden Era, by James Bawden and Ron Miller, 76–85.
New York: Palgrave Macmillan US.īawden, James. Studies in Arthurian and Courtly Cultures. “‘Let’s Not Go to Camelot’: Deconstructing Myth.” In Hollywood Knights: Arthurian Cinema and the Politics of Nostalgia, edited by Susan Aronstein, 99–116.
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